Paquita la del Barrio's music was characterized by its bold and unfiltered critique of machismo, a prevalent issue in Mexican culture. Her songs, such as 'Rata de dos Patas,' became anthems for women who had experienced betrayal and heartbreak. The lyrics, often scathing and direct, painted vivid pictures of her disdain for unfaithful lovers. In a 2008 interview, Paquita stated, 'I don't sing what others sing. I sing the truth, even if the gentlemen don't like it.' Her willingness to address these issues head-on made her a unique and influential figure in Latin music, where she often stood alone in her candidness [1].

Paquita's music served as a beacon of empowerment for women. Her songs were not just about personal experiences but also about giving a voice to women who felt marginalized. With hits like 'Tres Veces Te Engañé,' she transformed her personal pain into powerful lyrics of defiance and self-assertion. Her catchphrase, 'Me estás oyendo, inútil?' became synonymous with her brand of unapologetic feminism. Paquita's ability to inject humor and sarcasm into her music allowed her to address serious topics while engaging her audience. Her legacy as a feminist icon is cemented by her contributions to the genre, making her a trailblazer for future generations [2].

Paquita la del Barrio's impact on the music industry is undeniable. Over her career, she released more than 30 albums and was recognized with numerous awards, including a Billboard Latin Music Award for Lifetime Achievement. Her music resonated with audiences not just in Mexico but across Latin America and the United States. Despite facing health challenges in recent years, her spirit and dedication to her craft never wavered. Her death has sparked an outpouring of grief from fans and fellow artists alike, who remember her not only for her music but for her role as a cultural icon who championed women's rights. As Apple Music noted, 'RIP Paquita la del Barrio, the feminist icon from Mexico who sang what others were afraid to say' [3].