Adapting classic novels to film has always been a complex endeavor, and 'Nosferatu' is no exception. The intricate plots, deep character development, and rich themes of classic literature often prove difficult to compress into a film's limited runtime. Moreover, literary devices such as internal monologues and symbolism, which are prevalent in novels, can be challenging to translate visually. Fans of the original works tend to have high expectations, often leading to unfavorable comparisons between the film and the text. Additionally, the cultural and historical context embedded in these novels can be hard to convey to contemporary audiences, requiring filmmakers to make interpretative choices that might not align with every reader's vision [1].

The setting of 'Nosferatu,' directed by Robert Eggers, is depicted as both cozy and eerie, set in 19th-century central Europe. Wisberg, a location in the film, is humorously suggested as an ideal spot for a snowy romantic getaway, with a comedic twist advising viewers to ignore the presence of the plague. This blend of cozy and sinister elements adds a unique layer to the film's atmosphere, inviting audiences to explore the romantic yet ominous landscape of the story [2].

A central theme in Eggers's 'Nosferatu' is the concept of sacrifice and heroism, embodied by the character Ellen Hutter. Her pivotal role in the narrative involves a selfless act to rid the world of the vampire threat posed by Count Orlok, played by Bill Skarsgård. This exploration of sacrifice not only drives the plot but also offers insight into the broader thematic elements of the story. The film challenges audiences to consider the implications of Ellen's actions and the moral dilemmas faced by the characters [3].